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TYRGxs7k
Posted: Tue 6:52, 19 Apr 2011
Post subject: Supras Assault NS About Fundamental Bonsai Styles
om (Hokidachi or Hoki-zukuri)
A really harmonious style, this type has divisions that produce at a particular height,
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, forming an upside broom. This styling is primarily achieved via a approach known as the “V” reduce. The trunk is chopped where you would like the branch to begin to produce and then a deep V cut is carried out on the remaining trunk. This will induce buds to break close to the cut. Zelkova serrata are notorious because of this styling but maple and other deciduous species can easily be styled that way.
Elegant Upright (Chokkan)
A tree styled the “chokkan” way includes a straight trunk tapering graciously from base to top. The first and greatest branch are usually situated at 1/3 from the preferred height from the tree and is on the right or even the left. The subsequent branch is situated on the opposite facet, while the third is in the back making the notion depth. As we take a look at the branch framework from bottom to top, the branches are obtaining thinner, creating a pyramidal form.
Informal Upright (Moyogi)
This design is really comparable to the earlier mentionned style as the exact same guidelines of design apply,
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, nevertheless, the trunk is not directly but rather forms a sinuous shape whilst remaining tapered. This style is generally utilized with conifers.
Slanting (Shakan)
Once once again, this style is the exact same as the formal erect except how the trunk is leaning on one facet. Divisions are grown uniformly about the trunk such as the formal/informal erect styles however the apex is tilted towards the contrary facet of the trunk offering a visual well balanced effect.
Cascade (Kengai)
This styling demands an inclined trunk that's preferably at a 45 degree angle. The major part from the foliage is below the pot line and sometimes goes past the pot itself. It frequently represents a tree growing about the side of cliff. A deep pot is utilized because of this style.
Semi-cascade (Han-Kengai)
Comparable towards the Kengai design,
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, this design also has an inclinated trunk. Nevertheless, the foliage remains in the height from the pot line. In nature,
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, we can see this style near a waterway, the foliage getting grown on the side and leaning in the direction of the water. While the cascade style utilizes a deeper pot, this style uses a medium depth pot.
Windswept (Fukinagashi)
A “windswept” tree represents a tree that has been developing in a particular form because of to natural elements . Frequently caused by powerful wind, the trunk is usually inclinated in a certain path and all divisions have grown on the same side.
Literati (Bunjin)
This styling is often represented in Japanese paintings. It is just a tree with a tall and sinuous trunk. The foliage only grows near the summit from the tree. This styling is somewhat an exception to the rigorous rules of bonsai simply because it does not have specific guidelines. It represents what the bunjin motion is within Japan: the search for liberty.
Group/Forest (Yose-ue)
This styling often represents a forest or even a little cluster of trees. It's intended to be styled in a way which will clearly signify the developing habits of trees inside a team. Many techinques can be utilized to achieve this styling and many perception techniques are used to produce the illusion of a forest, or as Naka would say, “having the quality from the invisible beauty of nature”. To respect the Japanese fine art type, an odd number of trees is prefered because of this styling.
Raft (Ikadabuki)
The exact same guidelines from the team planting apply to this style. However, all of the trunks emerge from one typical trunk. This technique is often accomplished having a branch positioned verticaly within the soil. The sources form this branch and the upper part from the vertical branch produce secondary divisi
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