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Fantastic Action
And herein is where interests begin to conflict. Michael Bay is both the best and worst director for this material. The film’s greatest asset is also its biggest detractor: that is,Air Jordan 23, it’s one, big, long, never ending action sequence stretched out over the unruly span of two and a half hours.
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Is Bay Really That Bad?
Does Bay deserve this? Certainly he has made duds (Armageddon, Pearl Harbor), but why do filmgoers insist on the continual burning of effigies at the alter of Michael Bay, as though he is the antithesis of everything that is good about the cinema? It’s as if the man has single-handedly lowered the collective I.Q. of every being who has ever sat in front of one of his films. Do these films really have the same kind of sway that Mites and his magical touch did or something?
A few years back Martin Lawrence was on the Conan O’Brien show promoting his then new film Bad Boys 2. As is usual, a clip from the film was played, this one showing Lawrence and co-star Will Smith engaged in a high speed chase over a bridge, destroying everything in their path. When the clip ended O’Brien gave positive feedback and Lawrence’s exact response was “That’s the genius of Michael Bay.” Michael Bay a genius? Lawrence was feeding a line.
This single statement unlocks all of the excitement and deficiencies of the cinema of Michael Bay. Unless he is given characters that are already defined and a plot that will be able to sort itself out, Bay finds himself lost in the ruins of his own excesses.
There are no characters in this film, no room for actors to give performances as Bay relies, as he always does,Air Jordan 12, on the simple screen presence of his stars, who are forced to go way over the top and then keep going.
It is not a minority opinion when Michael Bay is denied the right to genius. The director has been bombarded by fans and critics alike with every negative adjective imaginable. The man has been called a hack,Jordan Retro 1, a sexist, a racist, a fascist dictator, incompetent,Air Jordans, etc.
The question then is, is Bay a great director? The answer, on a whole is simple: no. But one can understand what “genius” Martin Lawrence was talking about.
Is Bay a Great Director?
Every character scene is filmed with the bang-boom-slap-bang mentality of an intense action sequence. It’s great that Bay doesn’t want to lose momentum but there’s not one opening to catch a breath in the whole damned thing. If Transformers were a fish, it would drown. That’s the contraction; it is a surge of excitement and a headach
However, he is not a filmmaker so much as he is a painter of spectacles; write him a film that provides enough cushioning to hold audience interest between his relentless bouts of blowing up everything in sight and the man is second to none. Sometimes that’s all genius takes; after all, what more could one really desire from a film about robots from outer space who have come to destroy us?
The action is fantastic: big, loud, imaginative, exciting, never-ending and incredibly detailed. Bay went to great pains to incorporate the real with the computer generated. But the man has no control; he doesn’t know when to stop. The entire screenplay must have been comprised solely of his three favorite words: Blow Stuff Up.
In an interview, Bay once said that he tells his writers that whenever they want an action sequence just write “Blow Stuff Up” on the page and he will fill in the blanks.
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