PUMA speed cat I Crosstalk interference _2834 dept

Crosstalk interference on the actual depth

  \
  Chinese film and television industry in the luxury to rely on classical drama competition for audience eyeballs, when the entertainment Feng Gong as a human, yet the lens at the reality of contemporary Chinese life, reflecting Feng Gong pull sharp contrast with the stage performance fun personality. This interesting fact, and cattle to have a similar motive when county where the body is to rely on their own popularity, the stage and the reality of trying to break barriers,[link widoczny dla zalogowanych], break through the stage as much as possible the limitations of virtualization, but to influence and wave shake the reality. In fact, this has become pieces of a major actor starred in the film selection. Like Andrew's film, is shot by ordinary people as heroes, ordinary people show emotions, they all in China in reality,[link widoczny dla zalogowanych], the survival of ordinary people digging the soil, can not but say that is a respectable place.
  However, the sketch actor starred in the film, but also with the limitations of their own where the major limitations of film, the film is still as stage pieces as floating table with a dramatic conflict, but there is no reveals deep social meaning, reflecting the drama of the figures carved pieces, revealing the limitations of the social dimensions of the host. This defect, in the \Throughout the film, we feel that the performance of the mill film life as a running account, the movie can not see any strong dramatic conflicts, some areas of the style of comic dialogue, the film's reality has been weakened to people feel that the textile mills in the different kinds of people taking it every chance there Laughed, the burden of setting the style of the film are set in accordance with the characteristics of crosstalk. Example, pay for drinks there in the film three times, they typically shake the burden of the comic dialogue skills. Concluded that the gains and losses, may help to Feng Gong film production in the future, how the content in the film to the depth of excavation, to better reflect the characteristics of the strengths of the film art itself to.
  1, reflect the reality, it is to avoid conflict.
  \Perspective from the film out of the contradictions of view, textile mills are many internal problems. For example, overstaffing, where hard-line workers, bustling, and the second-line sector is idle; front-line workers in the largest ideal that is transferred to second-line sector; and for a good jobs,[link widoczny dla zalogowanych], had to use gifts, Seduction (such as when the Deputy Public YAO long, exposing the navel, and the workshop director Laolv ambiguous relationship), the background relations, and so a variety of channels, have done their best. Not many people here to focus on the production line, while kung fu is on the outside.
  movie can be said that mills a typical state-owned enterprises in China. Problematic plant, which should highlight the conflicts in this, but the film turned a blind eye to these issues, yet the principal contradiction points on the women cheated pregnant, a transfer of these insignificant little conflict, so the film seems to touch on the reality However, the most important social conflicts have not the slightest touch. Most of the length of the film, we have seen played Xi-Feng Gong, doing some trivial things, women are from Statistics contraception, women measure their efficiency, he was busy all day with the production and development of these matters not so much work. He lives in all conflicts manufacturing sites are outside of his production of interpersonal conflict, contradictions, such as his that led to the conflict Gaoping pregnant women, and women up for the intercession of the He Zhuren the conflict, including that with his former lover consort of the great Shaw conflict, and so on. Can be said that his network of human relationships are involved, while the film's state-owned enterprises Tolerance defects were not made, so the film seems to be involved in the thinking of the reality of China's state-owned enterprises,[link widoczny dla zalogowanych], but, just use the factory and workshop of the background of these deep-seated problems, but did not have a deep reveal. This comic dialogue, such as stage pieces with the same drama, though infinitely close to China's social reality, but it will only reveal the phenomenon of an extremely floating table, and difficult to arouse people's profound thought. This makes the performance of the factory this movie theme, content is extremely shallow.
  videos more often give a heavy feeling in the factory, the popular unhealthy everywhere, human relations, background rivalry, violence (including Wang Xi, and shall not use Tai Laohei violence, punish and beat him bad young man palm plant) to become the mainstream of the factory, Xi-main independent of time spent in the production of interpersonal treatment. Which are all difficult issues, he burst in with a decent film director, and as mysterious as the life-saving elixir \All the complex life of the numerous difficulties with the state-owned enterprises, such as Tai Chi in between the wave, but was reduced to a happy ending. When the film ends, Xi-dramatic workshop was appointed Deputy Director, we feel he will, but in a more context to be a good person, but it is difficult to imagine that he is a manager for the plant development. Film no time to attend so many complex issues, all of the distress are set off his good image, but has not outlined his wisdom and thinking to resolve conflicts.
  course, we can not ask Feng Gong for real this film, but also reflect what the reality of deep problems, it is after all a comedy style film. However, the film story of view, plot and too simple for the trivial, almost a complete dramatic conflict, the film is the workshop of the placid, sometimes a collision of ordinary life. Life does not constitute such a film where the story, so the film had a lot of space and time out, showing what happened to his son in school, there are Feng Gong came to the villagers received by the scenes of the countryside, can be seen, the film on plant life, lack of dramatic conflict in mining.
  2, involved in emotions, it is tasted.
  film in Xi-an and American families, but have hardly been immune to a secret crush on his lover. From the film's account of view, they were once a pair of lovers, because her parents do not agree with, but never managed to become dependents. Now the lover is not happy living with her husband divorced. Wang Xi as a foreman, both for her husband, their relationship Yue He, also guard against other men to encroach on her. This is a conventional plot, if creating conflict, should be able to enrich people's image, but the film also lacks these circumstances adequate preparation and build. Xi-Han Yuehua lover's secret crush on the image is too simplistic, at the beginning of the sarcastic comments to the loneliness of secretly concerned, constitutes a very conceptualization of a relationship. The Xi-Han Yuehua came home drunk, Korea will immediately love, gestures, and feelings of lack of good bedding, and bitter cold in front of her that the attitude of frost is not very gentle transition and convergence.
  constitute speaking from the theater, a lover, a wife, and lover another ex-husband, who are currently pursuing, so many people relationship exists around Wang Xi, will inevitably bring great accuracy of the contradictions and disputes But the film is now showing these relationships are out, but did not disrupt this relationship, and cross open to,[link widoczny dla zalogowanych], drama collision occurred, it must be said that the film failed in emotional intelligence as a flaw of compliance.
  3, seek vulgar, it is like a mouth cavity.
  movie of all people, all with the same words in Tianjin, such as table tennis, as you push up and I pushed in the past, like in that comic dialogue. The film is very loose, not a main line from start to finish, the main character, as is the arrangement into a space, such as offices, hotels, workshops, and several limited areas, and then let the people carry out a set of crosstalk performance, do not ask men and women, that Witty how to squeeze the world's major language style is completely crosstalk actors. Language becomes the film's feast, anyway a comedian quips the preparation of such matter-of-thing can be said to come in handy, but such language arrangements in the factory, it appeared that the lack of reality, all the characters are speaking, your are confused of personality differences, do not see the different personalities and life experiences of different people, different ways to express ideas. Now the play's characters are loquacious, and hard to each other, the negative effect is obvious. One thousand people side, on the other hand, let the story end with the dialogue going, dialogue interfere with the plot development.
  camera, we also see a lot of the movie camera, that is hard to clip together, the lack of fluidity. Feng Gong and Tai Laohei cart example walking in the alley, following a shot from the same angle Feng Gong lock the car, but the location has changed. This scene should have been to an interval between, to show the location of the changes, but the film's camera processing, apparently not aware of the film's basic narrative requirements. Feng Gong film director is not one person, can be seen, Feng Gong can control the camera's performance, but scheduling the lens, using lenses to produce a narrative pleasure, he was clearly not highly competent professional foundation.

相关的主题文章：

[link widoczny dla zalogowanych]

mbt sandals shoes Sometimes love worthy of the nam

[link widoczny dla zalogowanych]

The post has been approved 0 times