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Post ralph lauren danmark Portrait of the basic rules o
Portrait of the basic rules of photographic composition


Than the Composition in the portrait photography, using the strong density contrast, is more conducive to the expression of the theme. Figure 2 is a typical density contrast photographs, mainly using the top half of the screen-intensive branches and snow have wide screen lower density contrast changes, to contrast the main characters, make the subject more exciting. There will be a change in contrast, more intense formal beauty that make the picture more visual impact. We should pay attention to the use of density and density contrast between the two elements of the arrangements come in the same time, one can not lose, this will be the density contrast changes. Chinese Painting in the use of a large number of blank, often reflects the density contrast is characteristic of the embodiment of mood conducive to the screen. 3. Contrast the use of large screen size / J, contrast, will be more prominent subject, so that the original factors, but does not clear the existing theme in the large / J, the contrast is more prominent,[link widoczny dla zalogowanych], full and strong. Figure 3 is a size comparison picture in the frame of the main characters and the background had a significantly large construction / J, contrast, highlight the main characters to the screen. 4. Static and dynamic contrast makes the screen static contrast more vivid, vibrant, visual impact, easy to make the vision become excited. Figure 4 is a comparison shot out of the use of static pictures, picture a figure with long hair flying with another action figure still producing Figure 4 Figure 5 Comparison of Health movement, so that the screen filled with a whole lot of elegant beauty, composition alive. To strengthen the composition of the vivid picture, you can take advantage of dynamic and static contrast factor to render the atmosphere and mood. 5. Chiaroscuro chiaroscuro people and the environment can be a difference between light and dark, it can be exposed to light and the light irradiation intensity of the regional differences. The use of chiaroscuro in favor of the characters portray the character and heart. Figure 5 is a picture of chiaroscuro, which uses light to accompany the screen in the main body and chiaroscuro produced, highlighting the main characters, images and full, works with depth. 6. Compare the actual situation in the actual situation is in contrast to a more important means of law, can be divided into foreground and background virtual virtual two. Compare the actual situation in the photo shoot, you can choose to accompany the body as a virtual scene before or after the virtual scene to shoot, but to pay attention to control the fuzzy degree to accompany the body, which will directly affect the intensity of the main highlights. Figure 6 uses a virtual way out of context, highlighting the main characters, so that the expression of the main characters deep emotions the characters view the full body, this method of location filming in the studio will be used frequently. Figure 7 using the method of virtual characters out of prospects, highlighting the main characters. To accompany the body control to ambiguity characters have both fuzzy outline of the state, so that the body would have to accompany each subject and the role of contrast and deepen the theme of the depth of the screen. Fuzzy picture to accompany the body to what extent,[link widoczny dla zalogowanych], we need to be expressed based on the theme to determine. So we have the ability to accompany the body to control the actual situation, as our main services. 7. Warm and cold colors contrasting color contrast, comparison of many different rules, different characteristics. Well-being of the color contrast will affect Ⅱ directly to the people to the emotional and psychological reactions. Code 35 Goushai floating, 'married 3, Figure 8 is a typical warm and cold contrast photographs, contrast strong, bright colors, the use of the main characters of the red and blue clothes, a warm and cold environment of the contrast effect. 8. Contrast color complementary color complementary color contrast visual effect is very strong,[link widoczny dla zalogowanych], so when we learn to control their use of the hue, saturation, brightness, purity, size,[link widoczny dla zalogowanych], etc. to adjust, this will be contrast effects, and no tacky feeling. Figure 9 is the use of the color contrast of the complementary color contrast, green and red background environment matched the clothes, people's sensory excitement. Comparison of red and green is very strong, red, more red, green, more green, strong visual images. 9. Color brightness contrast color brightness difference due to the formation of color contrast,[link widoczny dla zalogowanych], called brightness contrast. The size of the color difference between the brightness, contrast, brightness intensity of the decision. Strong sense of contrast color brightness time strong, clear images on high, sharp, not prone to error. Color brightness contrast is weak, uncertain, seem soft and quiet, soft and vague, the image is not easy to see. Brightness contrast is too strong, such as the longest tune, will have stiff, space, stunning, simplistic and feeling. Figure 10, the main characters and the background to the existence of light and dark color contrast, color screen and a uniform brightness changes. 1O. Color saturation, contrast saturation is the purity of different purity is formed due to color contrast is called saturation contrast. In general, compared to the size difference between the purity of color asked to determine the strength of saturation, contrast, saturation, the smaller the difference, the stronger the sense of gentle. Saturation, contrast of a J Aoxinpiwu; cease. Jl ● ≯ by offering a transcript. A capsule

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